What Ed eventually created as "American Kenpo" was like, and yet very much unlike, the Kenpo systems and his former styles. The differences were those of style and theory. But most importantly, this new system was the stairway to Ed Parker Kenpo. His new system would have its critics. And while much of their criticism was valid, no one could deny the genius of the man who was its father.
Critics who do not understand kenpo often ask why Ed Parker did not release videos or films of him personally demonstrating his system.
There were several reasons, not the least of which was the fact that Ed would have to slow down so people could see his moves. Ed knew from experience that his students would mimic whatever they saw him do, and one thing Ed was not, he was not slow.
But more importantly, Ed realized that no two people are alike and the new system was to be tailored to the individual. After all, it was the individual who would advance through American Kenpo to where he met the standards of Ed Parker Kenpo. There were also many different ways of doing a movement. Many of his black belts would find that the way Ed taught them was completely different from all the others. To put a technique on film or video would freeze the technique for all time. The more or technique was a framework within which the individual worked. A video would freeze frame the move which would become the way the Master did it; and the only way it should be done. The 5 foot, 98 pound woman would have to emulate the 6 foot, 220 pound Ed Parker. This would go against one of Ed's fundamental prinicple that he would teach correct principles and let the individual govern himself. The way Ed moved was right for Ed. The way his students should move would not be the same. Thus, he taught his new system differently to each person, and each way was right for the student. Just as Ed realized that there was only one Bruce Lee, or one Mohammed Ali, there would only be one Ed Parker. He did not want his students to mimic him, or to become puppets. He wanted them to become great in their own right.
To this end, Ed designed his new system as a method for teaching
principles and not just as a way to teach techniques. Rather than teaching
30 techniques and an equal number of variations for each belt as he had
done with the KKAA and early IKKA, Ed reduced the number of techniques to 24, eliminated the variations and created the "extensions". He also simplified each technique, teaching only the first part of the technique to the beginning student who could now concentrate on the principle of the movement. No longer would a student practice move after move, time after time, like a boxer using the same move time after time to perfect it. He was to learn the "why" of the move and concentrate on, why, as he practiced the move. When the student was prepared for brown belt and black belt he was to learn the extensions and the advanced applications and theories of the moves. And when he was ready, he would move into Ed Parker Kenpo.
Not only was the student to learn the "why" of the move, but by simplifying the techniques, Ed believed his new system could be tailored to the individual who would perfect it according to his own physical size and athletic ability. American Kenpo forms were taught with hidden meaning so only the perspicacious would see what was intended. The system was designed to lead the student through tangled and obscure paths, where the instructor was to point out the meaning of each twist or turn. Then, when it all came together, the student--the Ed Parker black belt--was to emerge from the darkness into the light of new understanding. The black belt would only need to know about 100 applications of his new system, as Ed believed his understanding of the quot;why" of the movement would replace all of the "techniques" of other Kenpo systems.
This was in marked contrast to his original System of Kenpo,
where a student was taught hundreds of "techniques" and hundreds of variations--over 400 for first degree black belt alone. This was the system Ed no longer wanted to teach. It was the old way, the past, and breaking from this past was the very reason for the existence of the new system. But it saddened Ed that few students of his new style were able to compete successfully with the old system in tournaments. It would have been even more disappointing to Ed to see the dismal record of not one American Kenpo practionner being able to stand up in the new ultimate and extreme fighting forms.
Those who understand the "Parker principle" also understand why Ed chose no one to succeed him. Ed Parker Kenpo was the system. No one could replace him, and American Kenpo was his legacy to the world. He had taught correct principles, and like Alexander the Great, he would leave succession to those who were best qualified. In the decade before Ed's premature death, he no longer taught. Rather he taught through his writings. He had seen the failure of his new Americam Kenpo, but it was not a failure of the system. Rather it was a failure of the black belts of his new system to apply the principles he had established. Some of these black belts left him to found their own organizations where they would teach their versions of his new system, never realizing that they could never teach the principles that would bring a student to Ed Parker Kenpo. They took with them the techniques, but for the most part, they left his "correct principles" behind; and for the most part they have abandoned Ed's system for their own systems.
Since the death of Ed Parker December 15, 1990, his American Kenpo empire has fragmented and shattered. The IKKA has floundered due to defections, internal politics and divisiveness. Already American Kenpo is being interpreted and reinterpreted by Ed Parker’s new system black belts. Yet as Ed stated just three months before he died, none of his black belts knew the meaning of the flower he showed them.
In death Ed Parker has become a legend, bigger than life. His black belts first scrambled to fill the void in the system he created for them, by making themselves his successor. But American Kenpo is not just a system. It is the visible expression of Ed Parker’s philosophy, a philosophy that holds that correct principles replace style; a philosophy that allows the same move to be taught a myriad of ways with each way being the right way. Ed lamented, some three months before his death that he had awarded black belts, but none had earned his philosopher’s cloak. None had learned to think for himself. Few were innovative.
When asked about some of his ideas which seemed absurd, Ed laughed and said he had purposefully taught and written absurdities as a test.
But none of his new system students had ever questioned him. He wanted each student to prove or disprove every concept. He wanted them to think for themselves. And he most certainly did not want them to become the puppets they had become. Had his students understood Ed's principles, they would have discovered that the absurd concepts were little more than stumbling blocks put in the way to prove them, and catapults to launch them into thinking for themselves.
Ed Often lamented that his students knew what to think, but they didn't know how to think, and only a rare few would ever fully understand the completeness of Ed Parker Kenpo. For this reason, Ed Parker did not create American Kenpo as a system, but as an idea, an idea that encompassed all of his teachings and styles, from his first students to his last. Some were a part and some were the whole of what he taught, but only those who continued to teach what he taught, the way he taught it either in the beginning or the end are american kenpo.
Like the whispering of Leuce from the leaves of the white poplar which
grows near Leath, few will hear the warning that to drink of that water will bring forgetfulness of what once was.Pindar